For What It’s Worth

forwhatitsworth

⚡ About the Song

Released in 1967, For What It’s Worth wasn’t technically about the Vietnam War — but it might as well have been.
Stephen Stills wrote it after seeing riots break out on Sunset Strip when LA police tried to crack down on curfew-breaking teens who just wanted to dance. By the time the song hit the airwaves, the world had plenty of bigger protests to apply it to — and it became an instant anthem for uneasy times.

It’s a masterclass in understatement. The guitar line is sparse, the beat slow and tense, the lyrics deceptively calm: “There’s something happening here, what it is ain’t exactly clear.” It’s the musical equivalent of a raised eyebrow before all hell breaks loose.
And that eerie harmonised line — “Stop, children, what’s that sound…” — still gives chills six decades later.

Basically, it’s folk-rock minimalism with a message, and it translates to uke shockingly well.


🎸 Ukulele Playing Tips

  • Chords: D – A – G will get you through 95% of it. The progression loops forever like a slow march.
  • Strumming pattern: Steady and muted: Down, Down-Up, Down, (mute) — make those rests snappy.
  • Tempo: Around 100 bpm. Don’t rush it — tension lives in the spaces.
  • Feel: Keep it low and cool; you’re not shouting at the system, you’re observing it with quiet authority.
  • Tone: Slight palm muting on the lower strings gives that clipped, pulsing drive.
  • Dynamics: Start whisper-quiet, then rise subtly into the “Stop, children…” refrain. You want simmer, not explosion.
  • Bonus trick: Add soft finger taps on the uke body between bars to mimic the original’s snare hit. Protest groove achieved.

🧠 Trivia You Can Drop Casually

  • Stephen Stills was only 21 when he wrote it, and the whole band recorded it in one night.
  • The title doesn’t appear in the lyrics — it came from Stills saying to his producer, “I have this song — for what it’s worth.”
  • It became an anthem for the Vietnam War protests by accident — the public just connected the dots.
  • The haunting two-note guitar hook (played by Neil Young) has been nicked by everyone from Public Enemy to Rage Against the Machine.

🌈 Final Word

Play For What It’s Worth like you’re warning someone quietly before the cops show up.
Keep it steady, restrained, and just a little ominous — because protest doesn’t always need shouting; sometimes a calm voice carries furthest.

Album:Buffalo SpringfieldYear:1967Artist:Key:EDifficulty:Intermediate Download PDF
Song Sheet (PDF)
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