🍀 About the Song
“Fairytale of New York” started as a band dare — Shane MacGowan was challenged by producer Elvis Costello to write a Christmas duet. It took two years, multiple rewrites, and one inspired addition — Kirsty MacColl’s voice — to turn it into legend.
Released in 1987, it’s a Celtic waltz that swings between tenderness and tragedy, soaked in nostalgia, whiskey, and realism.
It’s not about perfect holidays — it’s about the messy beauty of people who still believe in hope, even when they’ve ruined everything.
On ukulele, it loses none of that magic. Stripped of the orchestra, it becomes what it really is: a pub ballad.
🎸 Ukulele Playing Tips
We’ll play it in C major, which keeps the range singable and the uke bright.
You’ll need C, F, G, Am, and D7.
Verse: [C] – [F] – [C] – [G]
Chorus: [F] – [C] – [G] – [C]
Bridge: [Am] – [F] – [C] – [G] – [F] – [C] – [D7] – [G]
Tempo: 78 bpm — waltz feel (count “1-2-3”).
Strumming pattern: down–down–up / down–down–up — keep it lilting like a Celtic dance.
Accent the first beat of each bar for that swaying 3/4 rhythm.
For extra life, add small hammer-ons between chord changes — e.g., on [C] lift and drop your middle finger on the 2nd string.
Vocals:
Sing it like a story — rough edges and all.
If you’re doing the duet, swap lines on verses 2 and 3: one as Shane (gruff, half-growled), one as Kirsty (clear, strong, unbothered).
Don’t sanitise it; the roughness is the charm.
💡 Trivia You Can Drop Casually
- Shane MacGowan wrote it while in hospital recovering from pneumonia.
- The title was inspired by J.P. Donleavy’s 1973 novel A Fairytale of New York.
- Kirsty MacColl’s vocals were recorded separately — The Pogues said she “out-sang all of us.”
- It’s the most-played Christmas song of the 21st century in the UK, despite (or because of) its salty language.
- It’s also one of the few holiday songs that can make you cry and raise a glass in the same minute.
🌈 Final Word
“Fairytale of New York” isn’t a Christmas carol — it’s a confession.
On ukulele, it feels even more human — the small instrument that makes room for big feelings.
It’s joy and regret and love and loss — all in three chords and a staggering smile.
Play it with friends, play it half-drunk, play it like you mean every word.
